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  The  
  german  
  audiovisual  
  artist  
  Amelie  
  Duchow  
  explores  
  in  
  her  
  works  
  the  
  experimental  
  terrain  
  between  
  sound, 
  space, image and form.
  The translation of her creative concepts are driven by the process of sonic and visual experimentation.
  Her   
  compositions   
  are   
  characterized   
  by   
  the   
  use   
  of   
  subtle   
  multilayered   
  sounds,   
  accentuated   
  by   
  intensive 
  electronic structures and rythms.
  Her  
  live  
  performances  
  unfold  
  a  
  very  
  personal  
  vision  
  of  
  Amelie’s  
  investigation  
  on  
  the  
  relationship  
  between 
  electronic sound and visual perception.
  Her works have been presented internationally at new media festivals throughout Europe.
  Her debut album TONSTICH has been released in 2014 on Sync.
  In 2018 Resident Advisor featured her in the documentary “ See what I hear ” by Lucy Werrett.
  The  
  Design  
  Museum  
  London  
  features  
  the  
  live  
  video  
  of  
  her  
  audio/video  
  project  
  TONSTICH  
  in  
  the  
  group 
  exhibition ELECTRONIC From Kraftwerk to the Chemical Brothers in 2020/21.
  Currently  
  Amelie  
  is  
  working  
  on  
  her  
  new  
  audio/video  
  project  
  LOGOS  
  MATER  
  which  
  takes  
  its  
  inspiration  
  by  
  her 
  interest in the sonorous character of languages.
  Motivated  
  by  
  the  
  common  
  interest  
  in  
  electronic  
  music  
  and  
  visual  
  art  
  she  
  starts  
  collaborating  
  with  
  the  
  media 
  artist Marco Monfardini.
  The  
  duo  
  works  
  under  
  the  
  moniker  
  SCHNITT  
  since  
  2007  
  in  
  the  
  transitional  
  area  
  between  
  music,  
  art  
  and 
  technology focusing with their projects on the coherence between audio and video.
  Custom-made,  
    
  innovative  
    
  software  
    
  and  
    
  electronic  
  devices  
    
  allow  
    
  SCHNITT  
    
  to  
    
  develop  
    
  complex  
    
  A/V  
   
  installations  and  site-specific live performances.
  In  
  2010  
  they  
  found  
  the  
  platform  
  and  
  label  
  for  
  audiovisual  
  artist  
  Sync  
  on  
  which  
  they  
  release  
  their  
  albums 
  SYNCHROPATH and MEMORY CODE.
  Their projects have been shown in international museums and festivals as Elektra Festival (CA), 
  LEV Festival (ES), Mutek Montreal (CA), e-phil (DE), Act Festival (KR), Sonica Festival (UK).
  The  
  duo  
  SCHNITT  
  cofounds  
  in  
  2018  
  with  
  the  
  creative  
  coder  
  Gianluca  
  Sibaldi  
  EXTRAsync,  
  interdisciplinary 
  platform developing innovative multimedia projects and electronic devices.
  SCHNITT  
  presents  
  at  
  the  
  LEV  
  Festival  
  2019  
  in  
  collaboration  
  with  
  Gianluca  
  Sibaldi  
  the  
  site  
  specific  
  audio/video 
  performance SCANAUDIENCE. The project is based on the realtime scanning of the audience.
  In  
  WHITE  
  BALANCE,  
  their  
  current  
  a/v  
  performance,  
  the  
  duo  
  creates  
  a  
  relationship  
  between  
  space,  
  image,  
  light 
  and  
  sound  
  by  
  reversing  
  the  
  use  
  and  
  role  
  of  
  audio  
  and  
  video  
  using  
  four  
  photosensitive  
  devices  
  as  
  sound 
  generators.
  In  
  2023  
  SCHNITT  
  and  
  Gianluca  
  Sibaldi  
  present  
  the  
  large  
  scale  
  audio/video  
  installation  
  SCANSCAPE  
  during 
  the exhibition Future Legends at ACT Festival 2023 in Gwangju South Corea.
  This site-specific project was commissioned to the artist trio by the ACC Asia Culture Center, Gwangju, 
  South Korea.